History of Art.
Having experience as an invited teacher in several countries, with my academic background I have a year-round participation in international conferences, seminars and chairing panel sessions. Between researching, teaching and publishing, I am always looking for new opportunities.
I have given academic lectures and administered short courses for different audiences and I am always eager to share more in cycles of classes in university departments.
As part of my work at the Tate Learning Department, I have developed plenty of tailored tutoring solutions for both mature and younger audiences.
I have obtained a European PhD in art history with the highest grade possible by unanimity of an international jury. Previously, I have obtained MA, BA (Hons) and FdA degrees at the University of the Arts London and at Sotheby’s Institute of London/University of Manchester.
I am currently an Integrated Member at CASt (Contemporary Art Studies - Instituto de História da Arte) research group and I have previously taken part in other successful academic projects. Visiting scholar and external researcher at Paris-Sorbonne IV, Université de Paris.
In my teaching I am able to cover all periods of your regular history of art curriculum at university level — from pre-sapiens cave paintings to the latest immersive art experiences.
Aside from this, below is a sample of some of the classes I have developed and that I love to teach. For more about their context and possibilities of extended learning, contact me.
Silence and The Void in Art
Contemporary Art and Light
On Minimalism
Colour and The Bauhaus Preliminary Course
From Video Art to Land Art
From Outside Landscape To The New Interior Landscape of Mankind
'The Artistic Form: From Minimal Emptiness To Total Light
Aesthetics
Rothko & Pollock
Suprematism of De Stijl To Bauhaus
Glass Boxes
Colour and Form in Architecture: Bruynzeel and Schröder House
The Apocalyptic Landscape and the Series by Thomas Cole and John Martin
Reason & The Sublime
On Silence: Presence and Absence
Immersive Art - Kuzama to Turrell
Enlightenment & Turner
Invisibilities and Seeing Emptiness
Monochromes - White to Black and Beyond
History Through Chairs
The Spectactor And The White Cube
Artistic Chapels
Architecture in the 1920s and 1930s
Materiality In Contemporary Furniture
Gehrard Richter - Cage Paintings
From Kandinsky To Newman
Pop To Post-Modernity
The Past Contained in the Continuous Year Zero