History of Art.

Having experience as an invited teacher in several countries, with my academic background I have a year-round participation in international conferences, seminars and chairing panel sessions. Between researching, teaching and publishing, I am always looking for new opportunities. I have taught and held positions as an academic teacher, from teaching full courses, short courses and individual classes in institutions like Universidade Nova de Lisboa (UNL-FCSH), Sotheby’s Institute of Art, A Base Art School, Leonardo da Vinci Institute, University of the Arts London, among others.

I have given academic lectures and administered short courses for different audiences and I am always eager to share more in cycles of classes in university departments.

As part of my work at the Tate Learning Department, I have developed plenty of tailored tutoring solutions for both mature and younger audiences.

I have obtained a European PhD in art history with the highest grade possible by unanimity of an international jury. Previously, I have obtained MA, BA (Hons) and FdA degrees at the University of the Arts London and at Sotheby’s Institute of London/University of Manchester.

I am currently an Integrated Member at CASt (Contemporary Art Studies - Instituto de História da Arte) research group and I have previously taken part in other successful academic projects. Visiting scholar and external researcher at Paris-Sorbonne IV, Université de Paris.

In my teaching I am able to cover all periods of your regular history of art curriculum at university level — from pre-sapiens cave paintings to the latest immersive art experiences.

Aside from this, below is a sample of some of the classes I have developed and that I love to teach. For more about their context and possibilities of extended learning, contact me.

Silence and The Void in Art

Contemporary Art and Light

On Minimalism

Colour and The Bauhaus Preliminary Course

From Video Art to Land Art

From Outside Landscape To The New Interior Landscape of Mankind

The Artistic Form: From Minimal Emptiness To Total Light

Aesthetics

Rothko & Pollock

Suprematism of De Stijl To Bauhaus

Glass Boxes

Colour and Form in Architecture: Bruynzeel and Schröder House

The Apocalyptic Landscape and the Series by Thomas Cole and John Martin

Reason & The Sublime

On Silence: Presence and Absence

Immersive Art - Kuzama to Turrell

Enlightenment & Turner

Invisibilities and Seeing Emptiness

Monochromes - White to Black and Beyond

History Through Chairs

The Spectactor And The White Cube

Artistic Chapels

Architecture in the 1920s and 1930s

Materiality In Contemporary Furniture

Gehrard Richter - Cage Paintings

From Kandinsky To Newman

Pop To Post-Modernity

The Past Contained in the Continuous Year Zero

Aby Warburg and the Artistic Atlas

Falsehood and Possibilites

The Line

Representation and Models

Museums And Cabinets of Curiosities

Cells and Walls

Dots and Multiplicity

Windows of the Past, Present and Future

Shock

Camp and Kitsch

Perspective

Sandro Botticelli: Violence and Mythology

Portraits by Leonardo da Vinci

Tapestry, Ivories and Woodcuts

Florentine Statuary

The Scientific Drawings by Leonardo

Dante, Shakespeare & Art

Guilds, Workshops and Apprenticeships

The Imagery of the Black Plague

From the Fall of the Medieval World in Constantinople to the Renaissance of the Arts in Florence

The Medici and Sforza Families and Art Patronage

Myth in Artemisia Gentileschi

The Cross and the Crucifixion

Life of Cézanne